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Jan 13 2017

Highlights from Art Stage Singapore 2017

by Sylvia Tsai

It was a festive occasion on January 11, the preview day of the 7th edition of Art Stage Singapore (ASS); regional art lovers rubbed shoulders and champagne flowed freely as the city anticipated another annual round of Singapore Art Week (1/11-22) events. While artists and collectors milled around the booths, the 131 participating galleries were busy locking in sales—many reported a financially favorable evening of deals. This year saw the return of Collectors’ Stage, a special exhibition featuring works from six Singapore-based private collections, first seen at the inaugural edition of ASS in 2011. The show was curated by Enin Supriyanto and featured works by local and international artists. Also returning is the second iteration of the Southeast Asia Forum, a section that includes a curated selling exhibition and a series of talks that runs throughout the course of the fair. Reflecting on current economic and political challenges worldwide, the forum’s theme this year is “Net Present Value: Art, Capital, Futures,” which focuses on art and money.

Here are some highlights from Art Stage Singapore 2017, which runs through January 15 at the Marina Bay Sands Expo & Convention Centre.

In the Collectors’ Stage section of Art Stage Singapore is the installation More We, Less Me (detail) (2011), by Bandung-based collective TROMARAMA (Febie Babyrose, Herbert Hans Maruli and Ruddy Alexander Hatumena). Three crosses are filled with x-ray scans of the three artists expressing their individuality, yet also showing their strength in unity via the LED text. It is a timely statement given political and social situations around the world. From the collection of Michelangelo and Lourdes Samson. 
All photos by Sylvia Tsai for ArtAsiaPacific.
In the Collectors’ Stage section of Art Stage Singapore is the installation More We, Less Me (detail) (2011), by Bandung-based collective TROMARAMA (Febie Babyrose, Herbert Hans Maruli and Ruddy Alexander Hatumena). Three crosses are filled with x-ray scans of the three artists expressing their individuality, yet also showing their strength in unity via the LED text. It is a timely statement given political and social situations around the world. From the collection of Michelangelo and Lourdes Samson.
All photos by Sylvia Tsai for ArtAsiaPacific.
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Singapore Art Week takes place throughout the city until January 22, 2017. 

Sylvia Tsai is associate editor at ArtAsiaPacific.

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