P
R
E
V
N
E
X
T
Web Reviews
0_dsc06987_420
Singapore
Singapore Objectifs Centre for Photography and Film

Women in Photography: Collective Power

Remains of the Day
Palestine Hong Kong
Hong Kong White Cube

Mona Hatoum

0__z4a0072_420
Hong Kong USA
New York Eli Klein Gallery

Chow Chun Fai

My eyes are not in the centre
Japan United Kingdom
London White Rainbow

Taro Izumi

Dawns, Mine, Crystal
United Kingdom Korea, South
London Korean Cultural Centre UK

Yunchul Kim

In-Between
Hong Kong China
Hong Kong Blindspot Gallery

Trevor Yeung

A Prime Activity
United Arab Emirates
Dubai Gallery Isabelle van den Eynde

Mohammed Kazem

Traces
India Switzerland
Basel Museum Tinguely

Gauri Gill

0_18-8_potter_ed_6_420
Australia Syria
Melbourne Ian Potter Museum of Art

Eavesdropping

My Life is Ours
USA Hong Kong
Hong Kong Ben Brown Fine Arts

Hank Willis Thomas

People misunderstand me and the contents of my paintings. They just think they are nostalgic, cute, and look like Japanese anime. That may be true, but really, I paint daily in order to escape the devil that haunts my soul. The said devil also resides in my blood, and I cannot escape from it no matter how I wish. So I paint in resignation.
Japan Hong Kong
Hong Kong Perrotin

Mr.

The World Never Ends
USA Philippines
New York Jane Lombard Gallery

James Clar

Colors from Nature
Korea, South
Seoul Kukje Gallery

Yoo Youngkuk

The Beehive
Australia
Melbourne Australian Centre for the Moving Image

Zanny Begg

Focus_kazakhstan_-_postnomadic_mind_-thierry_bal_-_4_420
Kazakhstan United Kingdom
London Wapping Hydraulic Power Station

Focus Kazakhstan: Post-Nomadic Mind

Music Videos
United Kingdom USA
London Arcadia Missa

Maggie Lee

Ads
Société Générale Asian Art Biennale 1 Nov-3 Jan 2021