P
R
E
V
N
E
X
T
NAM JUNE PAIK, Venus, 1990, painted aluminum infrastructure, one multi-painted satellite dish, 24 Sony 8" color TV sets, one disk player, 193 × 193 × 48.3 cm. Courtesy Galerie Hans Mayer, Dusseldorf.
NAM JUNE PAIK, Venus, 1990, painted aluminum infrastructure, one multi-painted satellite dish, 24 Sony 8" color TV sets, one disk player, 193 × 193 × 48.3 cm. Courtesy Galerie Hans Mayer, Dusseldorf.
PreviousNext
Mar 19 2015

Contemporary Asian Art At TEFAF 2015

by Paul Laster

Branded as the world’s greatest art and antiques fair, The European Fine Art Fair—aka TEFAF Maastricht—launched its 28th edition on March 12 to a lively crowd of museum directors, curators, critics, collectors and sophisticated spectators.

This year’s fair, which runs through March 22, features various goods—from antiques, rare books, maps and jewelry to Old Masters works, modern and contemporary art—all offered by 275 dealers from some 20 countries, including China, Korea and Japan.

One of the highlights of TEFAF 2015 is “Night Fishing,” a special exhibition of contemporary sculpture guest-curated by author and collector Sydney Picasso, the celebrated artist’s daughter-in-law. Included in her exhibition of eight international artists who work in three dimensions are two major multimedia pieces by the late Korean artist Nam June Paik (1932–2006), represented in the show by Düsseldorf-based Galerie Hans Mayer.

“Most of the artists in ‘Night Fishing’ are searching for the mystery of the origin of art,” Picasso told ArtAsiaPacific. “This mystery of creation is a pursuit shared by many artists overtime, which are represented at the fair.”

Contemporary highlights in the “Antiques” section include coveted abstractions by Gutai artists Kazuo Shiraga, Tsuyoshi Maekawa, Takesada Matsutani, Saburo Murakami and Yuko Nasaka (who attended the preview) at Axel Vervoordt (Antwerp/Hong Kong); playful, figurative bronzes from the series “Treetop Memories” by Chinese artist Xie Aige at Michael Goedhuis of London; sublime Japanese ceramists and glass artists reinventing traditional forms at Adrian Sassoon also from London; and Tibetan visual-whiz-kids Tenzing Rigdol and Tsherin Sherpa, who are in much demand because of the way they make spiritual art look fresh, at Rossi & Rossi (London/Hong Kong).

YOUN MYEUNG-RO, Windy Day MXV-315, 2015, acrylic on linen, 112 × 194 cm. Courtesy Gana Art, Seoul.
YOUN MYEUNG-RO, Windy Day MXV-315, 2015, acrylic on linen, 112 × 194 cm. Courtesy Gana Art, Seoul.
PreviousNext

In the “Modern” section, the old is the new. Gana Art (Seoul/Busan) features two, meditative, process-oriented paintings by 79-year-old Korean artist Youn Myeung-Ro, while Seoul-based Kukje Gallery and New York-based Tina Kim Gallery’s shared space is offering a striking, abstract ink-on-paper piece by Kwon Young-Woo (1926–2013), the late Korean artist associated with the Tansaekhwa movement and whom the gallery recently began representing.

Bucking this trend, however, is Gallery Delaive of Amsterdam, which has apparently struck gold with the young, Japanese, neo-pop artist Yuina Wada, a Murakami disciple painting shiny-happy people who seem somewhat troubled or abused.

In another corner of the “Modern” section, Leslie Smith Gallery also from Amsterdam boldly offers Australian aboriginal paintings alongside examples of Chinese contemporary art, modernist masters, and current street art—a combination that TEFAF’s old guard might find appalling, but one that future generations may embrace.

Paul Laster is New York desk editor for ArtAsiaPacific.