ISSUE 21

1999

Print Content

COMMENTARY

Mobo Moga: Modernity in Japanese art 1910–1935 BY Kae Shigeno

A Silent Revolution?: Chinese women’s art in Beijing BY Francesca Dal Lago

Rupa Malaysia: A decade of Malaysian art in London BY Laura Fan

A New Meeting Place in the Pacific: Centre Culturel Tjibaou, Noumea BY Dionissia Giakoumi

Creating Together: The inaugural exhibition at Centre Culturel Tjibaou BY Karen Stevenson

Faces from the Past: First Nations masks of Canada BY Paula Gustafson

Virtual Daydreams: Three exhibition of Asian art in Los Angeles BY M.A. Greenstein

Postcard from Pakistan BY Alison Carroll

Crosscurrents: Indian, Norwegian and British artists in Oslo BY Mariann Komissar

ESSAYS

Interdigitating Reihanamations: Lisa Reihana’s video weavings BY Maud Page

In Praise of Mad Shadows: Tokihiro Sato’s revealing photographs BY Robert J. Fouser

Body and Soul: Pinaree Sanpitak and the art of Life BY Dionissia Giakoumi

What Goes Around Comes Around: The art of Guan Wei BY Claire Roberts

A Survey of Asian Comic Art BY John A. Lent

Conjuring the World: Ravinder Reddy’s sculptural emblems BY Kamala Kapoor

ART DIRECTORY

Exhibition Commentary

Auction Report: Southeast Asian paintings in Singapore

Gallery Report: The Asian American Arts Centre in New York

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Toshio Shimizu on “Yoin: Reverberations between Australia and Japan”

Jonathan Goodman on Sang Nam Lee

Susan Bright on “Contemporary Art from China, Japan and Vietnam”

Philip O’Toole on “Pasifika”

Daisuke Miyatsu on Shimabuku

Scarlet Cheng on Luise Fong

Suhanya Raffeli on Nalini Malani: Medeaprojekt

Iola Lenzi on Southeast Asian Art: A New Spirit

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