ISSUE 22

1999

Print Content

COMMENTARY

At Home and Abroad: Contemporary Filipino views BY Collette Chattopadhyay

Cultural Hothouse: A report from Indonesia BY Julie Ewington

Subject of Desire: The 1998 Taipei Biennial BY Wen-rwei Hsu

Manifold Echoes: A transcultural venture in Stuttgart BY Victoria Hynes

From Tokyo to Shanghai: A Japanese exhibition in Shanghai BY Zhang Zhaohui

A Modern Society: A symposium on Japanese modernity BY Kathryn Huyor

Navigating Pacific Art: The Tautai Sculpture Symposium BY Caroline Vercoe

Alternative Spaces: Artist-run spaces in Singapore BY Lee Weng Choy

ESSAYS

Bare Bones: Fiona Foley’s alchemic works BY Stuart Koop

Small Marks, Big Spaces: The paintings of Yeong Gill Kim BY Jonathan Goodman

Dialogue: Zhang Dali’s conversation with Beijing BY Mathieu Borysevicz

Tibetan Religious Art BY By Melissa Rimac

History Imitating Art, Imitating Life: The surreal realism of Bramantyo BY Rob Goodfellow

Cracking Beneath the Surface: An interview with Chatchai Puipia BY Robert Preece & Gridthiya Gaweewong

Glocalism: The art of Laurens Tan BY Benjamin Genocchio

ART DIRECTORY

Exhibition Commentary

Performance Art Report: The 1998 NIPAF Asian Performance Art Series

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Steven Pettifor on Sutee Kunavichayanont

Thomas Brecelic on “Plastic (& Other) Waste”

Natalie King on John Young

Judith E. Stein on Lee Mingwei

Kazuko Nakane on Lynne Yamamoto

Sarah Cook on “Where Heaven and Earth Meet”

Bradford Edwards on “Above and Beyond”

Susan Bright on Manuel Ocampo

Jonathan Goodman on Yong Soon Min

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