ISSUE 23

1999

Print Content

COMMENTARY

Editorial BY Robert Leonard

Toi Toi Toi: New Zealand art in Kassel BY Louise Garrett

Testing Ground: Artist-run spaces in New Zealand BY Stella Brennan

Turandot: Chinoiserie made in China BY Francesca Dal Lago

Noumea-Tokyo: The Third Biennale of Contemporary Art BY Juile Ewington

Degrees of Separation: A group show in Christchurch BY Lara Strongman

Speechless: The 1998 Biennale of Sydney BY Hannah Fink

Velvet Dreams: A film by Sima Urale BY Lisa Taouma

Process and Politics: The fifth Artists’ Regional Exchange BY Lola Lenzi

Misunderstanding Art: ARX5 and cultural sensitivity BY Lee Weng Choy

Action Play: An exhibition of 1970s post-object art BY Tony Green

ESSAYS

Bill Hammond Paints New Zealand BY Allan Smith

The End of Improvement: In defence of Ava Seymour BY Robert Leonard

Going East: Post-orientalism in contemporary New Zealand art BY Richard Dale

Theo Schoon: Indonesia and the re-fashioning of the self BY Damian Skinner

The Indefinite Article: Michael Parekowhai’s riff on representation BY Jim and Mary Barr

Peter Robinson, Gordon Walters and the Corporate Koru BY Anna Miles

Maori Bay Quarry: Maori prophets in the work of Colin McCahon BY Leigh Davis

Locating Shane Cotton BY Imants Tillers

ART DIRECTORY

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

William McAloon on Jim Speers

Wystan Curnow on Max Gimblett

Justin Paton on Ross T. Smith

Kelly Carmichael on Julian Dashper

Megan Dunn and David Townsend on Judy Darragh

Morris O’Riordan on an indigenous Australian-Indian exchange

Wystan Curnow on Leigh Davis

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