ISSUE 24

1999

Print Content

COMMENTARY

Editorial BY Susan Acret

Asia as an Art Museum: The Fukuoka Asian Art Museum BY Makoto Murata

Asia as a State of Mind: The First Fukuoka Triennale of Asian Art BY Robert J. Fouser

Cultural Mythologies: Art from India in Tokyo BY Hisashi Murchi

From the Outside In: “Inside Out: New Chinese Art” BY Jonathan Goodman

Third Space: “Inside Out: New Chinese Art” BY Lydia Yee

Pushing Boundaries: The “Inside Out” Symposium BY YiLing Mao

Slowness of Speed: Korean art on tour in Australia BY Rachel Kent

Blurring the Edges: Three exhibitions in New York BY Joan Kee

Artis Pro Activ: Malaysian artists take a stand BY Lee Weng Choy

ESSAYS

Static Interference: The Big Tail Elephant Group of Guangzhou BY Melissa Chiu

Windows on Life: The art of Nguyen Minh Thanh BY Natalia Kravskaia

Sign of the Times: Masato Nakamura and command N BY Yukiko Shikata

The Performance of Printmaking: Three Thai Artists BY Anne Kirker

The Beauty of Rupture: Artists of Asian descent and Canadian Identity BY Keith Wallace

Rhythmic Air: The fine art of Savanhdary Vongpoothorn By Hannah Fink BY Hannah Fink

A Particular Language: Contemporary artists of Pakistan BY Quddus Mirza

ART DIRECTORY

Exhibition Commentary

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Benjamin Genocchio on Djamu Gallery

Jonathan Goodman on Yayoi Kusama

Robert Preece on “New Colours of Old Worlds: Contemporary Art from Oceania”

Collette Chattopadhyay on Mariko Mori

Morris O’Riordan on “Devotion: The Religious, the Domestic, the Pacific”

Gregory Galligan on Maya Lin

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