ISSUE 25

2000

Print Content

COMMENTARY

Editorial BY Susan Acret

A Question of Balance: Japan and Korea at the 48th Venice Biennale BY Toshio Shimizu

Open and Everywhere: Chinese artists at the Venice Biennale BY Francesca Del Lago

Different Totems: David Neel on the Grand Canal BY Paula Gustafson

Gap Viet Nam: A Vietnamese Encounter in Berlin BY Birgit Hussfeld

Out of Order: Art in Unusual Spaces BY Ana P. Labrador

Knalpot: The sound of Indonesian Voices BY M. Dwi Marianto

Unveiled Reality: An exhibition of Chinese Photography BY Paul Gustafson

The First Steps: Emerging Japanese artists in New York BY Jonathan Goodman

A response from Singapore Art Museum

ESSAYS

The City, Art and The Garden: Possibilities for Japanese Art BY Fumihiro Nonomura

The City of Make Believe: Post-handover monuments in Hong Kong BY Oscar Ho Hing-kay

Staging Controlled Chaos: An interview with Tomoko Takahashi BY Robert Preece

Representation As Detour: Three anecdotes about Singapore Art BY Lee Weng Choy

Of Commodities and Kings: Tang Da Wu’s play with psycho-geography and public memory BY Lucy Davis

Cities on the Move: A dialogue between curators and artists BY Hou Hanru and Hans-Ulrich Obrist

Discourse and Displacement: Contemplating Beijing’s urban landscape BY Xiaoping Lin

ART DIRECTORY

Exhibition Commentary

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Collette Chattopadhyay on Katsuya Komagata

Victoria Hynes on Mathias Kauage

Jonathan Goodman on Fang Lijun

Collette Chattopadhyay on Soonja Oh Kim

Karin Miller-Lewis on Vinon Dave

M.A. Greenstein on Anju Dodiya

Julian Scarff on “The Corruptionists”

Matthieu Borysevicz on Zhang Peili

Courtney Kidd on “Outside the Real: A New Form of Video Art in China”

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