ISSUE 27

2000

Print Content

COMMENTARY

Editorial BY Susan Acret

Fizzle: The Third Asia-Pacific Triennial BY Hannah Fink

Duplicitous Dialogue: The Asia-Pacific Triennial 1993-99 BY Melissa Chiu

A Virtual Region: MAAP99 and the Virtual Triennial BY Linda Carroli

Probe: Australian new media artists in Beijing BY Julian Scarff

The Future Looms: Creative and commercial online BY Antonia Carver

The Internet: Black hole or new frontier? BY Robert Bernell

Possibilities for Dialogue: The 1999 ICC Biennale BY Eishi Katsura

A Screen Culture Centre: Cinemedia@Federation Square BY Ross Gibson

ESSAYS

White-Out: Dumb Type’s image machine BY Yukiko Shikata

An Odd Circuit: Shu Lea’s Cheang’s online road trip BY Lawrence Chua

The Fiction of Everyday Life: Video art in the PRC BY Francesca Dal Lago

Avatars of Virtual Worlds: Japanese interactive artists BY Machiko Kusahara

The Evolution of Electronic Art in Malaysia BY Niranjan Rajah and Hasnul Jamal Saidon

Interface: Visions of the body and the machine BY Kathy Cleland

Korean Video Art Now: From College to Montage BY Hong Sung-Min

Improbable Architectures: The real, the virtual and the corporate BY Beth Jackson

ART DIRECTORY

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Jonathan Goodman on Gang Zhao

Lisanne Gibson on “2-Nations”

Courtney Kidd on “Voiceovers”

Belinda Wright on Greg Kwok-Keung Leong

Iola Lenzi on Natee Utarit

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