ISSUE 28

2000

Print Content

COMMENTARY

Serendipity: Asian Video, photography, film and installation BY Shino Kuraishi

Transience and Time: A Mattress Factory residency BY Joan Kee

From Zen to Pop Culture: An autumn in Los Angeles BY Collette Chattopadhyay

Twisting the Box: Centre A reinvents the museum BY Paula Gustafson

A Floating World: Prospects for the future of Asian art BY Alison Carroll

Loss and Leaving: “One Hundred Years After” in the Philippines BY Patrick D. Flores

Art and Nation: “Nokia Singapore Art 1999” BY Lee Weng Choy

Do You Mind My Art?: Public art in China BY Val Wang

Weaving New Links: A tapestry workshop in Melbourne BY Christopher Heathcote

ESSAYS

In Search of Dissidence: “9 Lives” at Casula Powerhouse BY Ashley Carruthers

Spectacles of Invisibility: The photography of Tseng Kwong Chi and Nikki S. Lee BY Irene V. Small

The Question of Body Ownership: Lee Bul’s cyborgs and monsters BY Robert J. Fouser

Duplicating Memory: Chen Shun-chu’s photo-installations BY Sophie McIntyre

A Continuing Tradition: Asmat art of Irian Jaya BY Todd Barlin

Islands of HIstory: Two exhibitions of Torres Strait Islander culture BY Nicholas Thomas

An Unsettled Season: Political art in Indonesia BY Asmudjo Jono Irianto

ART DIRECTORY

Art Fair Report: Melbourne Art Fair 2000

Art Directory: A guide to galleries and museums exhibiting contemporary Asian and Pacific art

REVIEWS

Pamela Kember on Huang Yan

Ray Langenbach on “History Through Prints”

Iola Lenzi on Jimmy Ong

Sang Ye on Cai Jin

Phillip Mar on “Guess Who’s Coming to Dinner”

Lee Weng Choy on “The Rose Crossing”

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