ISSUE 36

2002

Print Content

COMMENTARY

The art of Mu Xin BY Jonathan Goodman

Womanifesto 2001 BY Brian Mertens

Painting over the lines: Contemporary art from Pakistan BY Gregory Galligan

Got cyber: Nokia Singapore Art 2001 BY Lucy Davis

Vivian Sundaram: Re-take of Amrita BY Marianne Brouwer

2ND Fukuoka Asian Art Triennale BY Robert J. Fouser

2002 Gwangju Biennale BY Joan Kee

Shanghai Childhood: Narelle Jubelin BY Alexie Glass

ESSAYS

Koru! Koru! Koru! : The freewheelin’ Richard Killeen BY Anna Miles

Chen Haiyan: Dream Work BY Claire Roberts

Parking lots, shopping malls and contemporary art in Bangkok BY Sarah Tutton

Leung Chi Wo’s Open City BY D. J. Huppatz

Activist, Anarchist, Artist: Vasan Sitthiket BY Iola Lenzi

The installations of Lindy Lee BY Adam Geezy

ART DIRECTORY

Art Directory: A Guide to Galleries and museums exhibiting contemporary Asian and Pacific Art

Gallery Profile: On Shore Art, Victoria BY John Bartlett

Art Market: Asian art auctions in New York, Hong Kong, Singapore and Jakarta BY Raj S. Rangarajan and Iola Lenzi

People and Places: Chinese Arts in the International Arena BY Susan Acret

REVIEWS

Stephen Horne on On Kawara

Kazuko Nakane on Yuriko Yamaguchi

Takemi Kuresawa on Yoshimoto Nara

Collette Chattopadhyay on Flo Oy Wong

David Clarke on Chao Chung-Hsiang

Jonathan Goodman on “Making China”

Benjamin Genocchio on Mariko Mori

David Spalding on “Meeting Point”

Jonathan Goodman on Huang Yong Ping

Pamela Kember on Alfredo Esquillo and Norberto Roldan

Damian Skinner on “Jewelled”

Ana P. Labrador on Redza Piyadasa

Collette Chattopadhyay on Toshio Shibata

Iola Lenzi on “Shot in the Face”

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