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ISSUE 47

WINTER 2006

Issue 47
Order Issue
Print Content
EDITOR'S LETTER
Making Money is Art, and Working is Art, and Good Business is the Best Art (or Art, Money and Asia)
ESSAYS
Oceans Apart
NEWS
Tokyo: An Art Fair for Tokyo
Taipei: New Director for National Taiwan Museum
Berlin: World Cup Mass Mania
Vancouver: Centre of Attention
Beijing: Arts’ Community Fight Demolition
New York: New World Records for Indian Contemporary Art
Toronto: Power Plant’s Gregory Burke
Melbourne: Christie’s Aboriginal Auction Results
New Plymouth: Mercedes Vicente Moves to Govett-Brewster
Whispering Gallery
The Point: (Edition) Size Matters?
PROFILES
Cambodia’s First Visual Arts Open
Funding for Independent Art in Singapore
Shock of the New
Phillip George: Night Vision and the Post-Oriental
Curation on the Move
Canoe Culture
Bruce Mau and Institute Without Borders: Design Will Set Us Free
Framing Tyeb Mehta
Biggest on the Block: Contemporary Chinese Oil Painting at China Guardian
Julian Dashper: At Odds
FEATURES
Morimura Yasumasa: Out of the Corner of a Small Room, Painting Develops
Raqib Shaw: In the Garden of Eden
Arario Gallery: Beijing or Bust
Jheon Soocheon: On Board the Moving Drawing
REVIEWS
Auckland: “Slow Rushes for Auckland”
New Plymouth: Lee Bul
Sydney: Kutlug Ataman
Victoria: Tracey Moffatt
Tokyo: “Follow Me!”
Osaka: “Gundam – Generating Futures”
Jakarta: OK Video Art Festival 2005
Hong Kong: Caroline Chiu
Beijing: Chen Zhen
Beijing: Cao Fei
Sharjah: 7th Sharjah Biennial
Copenhagen: “Seoul – Until Now! City and Scene”
Berlin: Yoshiaki Kaihatsu
Duisburg: Zhang Hai, Wang Yidong & Cai Guo-Qiang
Berlin: “The artist lives and works in… Baroda / Bombay / Calcutta / Mysore / Rotterdam / Trivandrum”
Bern: “Mahjong – Contemporary Chinese Art From The Sigg Collection”
London: Makoto Aida
New York: Sarah Sze
Chicago: RongRong and inri
Mexico City: “On Kawara. Consciousness. Mediation. Watcher on the Hills”
Los Angeles: Jin Yong Lee
Film Review: Not Drowning But Waving
Book Review: Ryoji Ikeda – Formula
PROJECTS
Yamaguchi Noriko Is Under Our Skin
Where I Work: Cai Guo-Qiang

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