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ISSUE 50

FALL 2006

Issue 50
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EDITOR'S LETTER
To Be An Internationalist, You Have To Be A Nationalist
ESSAYS
Serial Thrillers and the Art of the Steal
NEWS
Beijing’s First Gallery Celebrates 15 Years
New York: Malaysian Ministry of Culture Visits New York
London & New York: Asian Art Trends Trans-Atlantic Waters
New York & Yogyakarta: Cemeti Art House Wins ACC Award, Spurs Quake Relief
London: Crystal Ball Enlightens London Public
Various Locations: Indian Painter Incites Religious Controversy
Dubai Emerges as Middle East Contemporary Art Center
Passings: Shin Sang Ok (1926-2006)
Whispering Gallery
The Point: Indonesia’s Biennale Bubble
PROFILES
Christie’s Dizzying Heights
Cao Fei: Global Player
Guan Wei’s Perilous Journeys
Soi Sabai’s Temporary Art Connections
Sudarshan Shetty: Toying with Objects
Yoshinaga Masayuki and the Pageantry of Speed
FEATURES
Distance Up Close: The Asian Biennales
Curating by Committee: Behind Asia’s Biennials
Tian Yibin: In a Sea of Revolutionary Pixels
India’s New Progressives
The Ullens Center for the Arts: Continental Drift
Gonkar Gyatso: From Lhasa to London
REVIEWS
Auckland: Simon Denny
Wellington: “Islanded”
Tokyo: MOT Annual 2006
Seoul: “Divine Comedy”
Taipei: “Hyper Reality”
Hong Kong: Li Wei
Hong Kong: Konstantin Bessmertny
Beijing: “Fancy Dream”
Bangkok: Michael Shaowanasai
Málaga: Anish Kapoor
London: Tim Lee
New York: Bill Henson
New York: Ranjani Shettar
San Francisco: Michael Arcega
Film Review: Lady Vengeance
Book Review: Palestinian Art
PROJECTS
Mithu Sen’s Stately Manners
Where I Work: Ujino Muneteru

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