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ISSUE 51

WINTER 2006

Issue 51
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Print Content
EDITOR'S LETTER
Safe House
ESSAYS
Is the Object Sacred?
NEWS
Manchester Confronts British Muslim Visual Landscape
New York: Bodhi Art Opens in New York
Melbourne: Sotheby’s Celebrates 10th Anniversary with Aboriginal Art Sale
Chicago: Central Asian Artists Bring Silk Road to Chicago
Various Locations: Speaking Out in China
Hong Kong: Asia Art Archive Moves
Beirut: Lebanon Art Scene Weathers War
New York: Central Park’s South-Asian Summer
Bangkok: Rirkrit Tiravanija Launches New Bangkok Venture
Various Locations: Fall Auction Report – An Up And Down Affair
Phnom Penh: Cross-Border Collaborations Heat Up
Various Locations: Round Up – Exchange Place
Whispering Gallery
The (Counter) Point: Looking for Sacred Art
PROFILES
Ramakien Unplugged
Yun-Fei Ji
Ingrid Dudek: Christie’s Plays China Hand
Shigeyuki Kihara
Hanoi’s Unofficial Art Scene
Chinese Art on Edge
Singapore Tyler Print Institute: Experimental Retreat
FEATURES
Artists on Spirituality
Teiji Furuhashi: Diamonds Are Forever
Il Lee, Chun Kwang-Young and Lee U Fan: International Abstraction, Generational Trajectories
Lin Tianmiao: All Sewn Up
Sheela Gowda: Narrating India
REVIEWS
Sydney: Tim Silver
Tokyo: Tabaimo
Manila: Tony Twigg
Taipei: “SlowTech”
Hong Kong: Paul Chan
Shenzhen: Caroline Chiu
Singapore: Chi Peng
Bangkok: Top Changtrakul & Chattiya Nitpolprasert
Oxford: “Out of Beirut”
Salem: Nalini Malani
New York: “After the Reality”
New York: Atta Kim
New York: Zaha Hadid
San Francisco: Anjolie Ela Menon
Film Review: John & Jane
Book Review: Buddha Mind in Contemporary Art
PROJECTS
Ja-Young Ku: Illusion in the Post-Medium Condition
Where I Work: Pinaree Sanpitak

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