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ISSUE 52

MAR/APR 2007

Issue 52
Order Issue
Print Content
EDITOR'S LETTER
Life Studies
ESSAYS
The Loaded Brush
NEWS
Taipei: Cai Guo-Qiang and Cloud Gate Collaborate
Ho Chi Minh’s Saigon Open City
Cuenca: Palestine Panel Convenes in Cuenca
Shanghai: Duolun MOMA Meltdown – Bleak Outlook for State Museums
Tokyo Governor Criticized for Cultural Graft
New York Encounters Tibetan Art
New York: MoMA to Present Kiarostami Retrospective
New York: Pierre Huber Up for Grabs
Passings: Matsuzawa Yutaka (1922-2006)
Passings: Jonathan Napack (1967-2007)
Whispering Gallery
The Point: Cubism in Asia – Bound to History
PROFILES
Yu Hong: Formal Twist
Michael Mel: Hearing Silenced Voices
Gordon Tsai’s Dream Community
Wang Shu: Chinese Garden
Cambridge: Pacific New Wave
Shanghai: Modern Medicis Makeover Shanghai
FEATURES
Telling Selves & Talking Others
Atul Dodiya: Palimpsest / Forcefield
Yoshitomo Nara and Graf: Happy Together
David Griggs: Blessed Grunge
Gajin Fujita: Write or Die
Wei Dong: Third Eye
A Favorable Likeness: Bharti Kher, Liu Xiaodong, and Chung Suejin
REVIEWS
Sydney: Juan Davila
Canberra: Michael Riley
Tokyo: Atsushi Fukui
Tokyo: Yasumasa Morimura
Beijing: “Hungry God – Indian Contemporary Art”
Bangkok: Watchara Prayoonkum & Yan Lei
Codroipo (Udine): “EurHope 1153”
Berlin: Yin Xiuzhen
Hamburg: Walid Raad
Paris: “Languages of the Desert – Contemporary Arab Art from the Gulf States”
London: “Word into Art – Artists of the Modern Middle East”
New York: Yang Fudong
New York: Jonathan Meese & Tal R.
Philadelphia: Jean Shin
Film Review: Syndromes and a Century
Book Review: Nine Lives – The Birth of Avante-Garde Art in New China
PROJECTS
Ben Quilty: Rising Son
Where I Work: Noh Sang Kyoon

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