Art Sonje Center, Seoul
MAR 11–MAY 2
“Traumatized Body and Transformed Self” is a survey of Taiwan-born artist Chen Chieh-jen’s moving-image and photographic installations from the last two decades. The show will highlight the artist’s sustained interest in the impacts that today’s highly capitalized, technologized, and controlled societies have on the human body and spirit.
Jameel Arts Centre, Dubai
JAN 29–AUG 14
Curated by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, the group exhibition “Age of You” will survey how we define individuality amid accelerated change in the 21st century. The show’s 13 chapters will comprise contributions by more than 70 artists, including Farah Al-Qasimi, Ian Cheng, and Christine Sun Kim.
Chisenhale Gallery, London
JAN 30–APR 25
Shanghai-based multidisciplinary artist Yu Ji will present a new commission in “Wasted Mud,” her first solo exhibition at an institution in the United Kingdom. The “living sculpture” will incorporate water and plants, alluding to the transformation of London’s natural and urban landscapes, particularly its rivers and canals.
Sharjah Art Foundation, Sharjah
MAR 12–JUN 15
Since 2016, Rayyane Tabet has been creating installations and sculptures that depart from German diplomat Baron Max von Oppenheim’s ethically dubious archaeological mission in northeast Syria in 1929. Tabet’s exhibition “Exquisite Corpse” will include new works that extend his exploration of this history, such as the archive-installation Portrait of Faek Borkhoche (2021).
Guangdong Times Museum, Guangzhou
MAR 21–MAY 24
Candice Lin traces 19th-century migrant labor histories that have been overwritten with colonial and racialized rhetoric. At the first stop of her traveling solo show, “Pigs and Poison,” her installations and virtual-reality animation will bridge the dehumanization of immigrant workers in the past and present.
Institute of Modern Art, Brisbane
APR 10–JUN 5
Inspired by the Persian Book of Shahnameh (c. 977–1010 CE), Hazara artist Khadim Ali’s tapestries depict battle scenes that reference contemporary and mythological conflicts. At his solo exhibition, the nine-meter-long weaving Invisible Border (2020) will be displayed alongside a sound installation and miniature paintings similarly probing war and persecution.
Tai Kwun Contemporary, Hong Kong
APR–DEC
Curators Xue Tan and Raimundas Malasaukas conceived of “Trust & Confusion” as an exhibition and series of live events unfolding over eight months to reflect on our emotional lives amid the tensions of the pandemic era. The project will comprise more than 15 new commissions, 40 audio works, and five performances.
Asian Art Museum, San Francisco
AUG 13–JAN 3, 2022
Carlos Villa’s posthumous retrospective “Worlds in Collision” will highlight the Filipino-American artist, teacher, curator, and activist’s role in initiating conversations on inclusiveness and diversity in the arts in the United States. Exhibits will include Painted Cloak (recto) (1971), an example of how Villa brought together Austronesian and European avant-garde influences.
Mori Art Museum, Tokyo
OCT 21–JAN 30, 2022
Whether addressing the 2011 Tohoku earthquake and Fukushima Daiichi nuclear disaster or examining the history of urban hygiene, Tokyo-based collective Chim↑Pom tackles social issues with humor and subversion. Their retrospective will shine a light on their distinctive approach to art and activism with works from throughout their 16-year practice.
National Portrait Gallery, Washington, DC
LATE 2021
“Portraits of Promised Lands, 1968–2020” is a retrospective of Changchun-born, California-based painter Hung Liu. Spotlighting more than 50 canvases, the show will span Liu’s experience of the Mao regime in China, her immigration to the US in the 1980s, and her confrontations with the exoticization of Asian women.
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