VOL. 1 NO. 4

1994

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COMMENTARY

What Shall We Tell Them?: The Under Capricorn conference in Wellington BY Nicholas Thomas

Rivers, Canals, Open Spaces: The second Chiang Mai arts festival BY Chanyaporn Chanjaraen

Pameran Untuk Marsinah: The exhibition that never opened BY Julie Ewington

Roads Cross: The paintings of Rover Thomas BY Sheona White

A Veil In Between: Taipei Report BY Chia Chi Jason Wang

Tried and True: Min Joong Art survey exhibition BY Choi Tae-Man

ESSAYS

Staging a Culture: Korean art at home and abroad BY Jae-Ryung Roe

The Dream of the Butterfly: Buddhism, Cage, silence and video BY Soun-Gui Kim

The ASEAN Sensibility: South-East Asian sense and sensibility BY Rod Paras-Perez

Does the Avant-Garde Begin or End in Asia? BY Keith Looby

Annotated Singapore Diary: Censorship, performance, and the Latiff Mohindin retrospective BY Ray Lagenbach

An Invitation to Words: The sculpture of Antonio Mak BY David Clarke

Lost Gods: The art of John Pule BY Nicholas Thomas

Through Our Own Eyes: Contemporary art in Papua New Guinea BY John D. Waiko