ArtAsiaPacific: Vol3 No1

Editorial BY Dinah Dysart

A Forest of Art in a Tokyo Town: The Faret Tachikawa art-tropolis BY Judy Annear

All Washed Up: Singapore Report BY Lee Weng Choy

Telling Tales: The latest exhibition by the Malaysian group Mahati BY Laura Fan

Sale Time: Spaceless art in Bangkok BY Jennifer Gampell

Clay Idols: The new Korean pavilion at the Venice Biennale BY Rhee Jong Soong

Foreign Bodies: Chinese art at the 1995 Venice Biennale BY David Clarke

Not Venice, Hawaii: The Contemporary Museum Biennial of Hawaii Artists BY Marcia Morse

Kowtowing to Commerce: Art, photography and mad cow disease BY Ann Elias

Locating David Medalla: A reappraisal of this expatriate Filipino artist BY Ana Labrador

Disoriented Territories: Shifting identities of Asian women in America BY Alice Yang

Beyond the Cynical: China avant-garde in the 1990s BY Hou Hanru

The Post-Colonial Body: Mediating the body in contemporary Japanese art BY Hisashi Muroi

The Perils of Performance: Mike Parr in the Philippines BY Patrick Flores and David Bromfield

Metaphors of Identity: Tradition and bilas in Papau New Guinea BY Michael Mel

A Taste of Soil: Dadang Christianto on systemic violence BY Astri Wright

Masami Teraoka: The faux ukiyo-e of this Japanese-Hawaiian artist BY Lynda Hess

Wish You Were Here: Postcards as signatures of place BY Caroline Vercoe

Strange Fruit: The photographic art of Brenda L. Croft BY Hetti Perkins

Gallery and Museum Guide: A comprehensive guide to the best Asian art galleries and institutions

China Art Exposition 95

Dan Raralio’s pillow talk

After Hiroshima

Domenico de Clario’s Sub-lunar Sevenness

VOL. 3 NO. 1