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VOL. 3 NO. 2

1996

Vol. 3 No. 2
Print Content
COMMENTARY
Beyond the Borders: The inaugural Kwangju Biennale
Readymade Biennale: More on the Kwangju Biennale
The Necessity of Craft: Women and craft in the Asia-Pacific region
The Good, the Bad, and the Indifferent: The 1995 Osaka Triennale
Asian Modernism: A major historical survey exhibition in Tokyo
Censorship in Hong Kong: A banned Beuys rhino horn and an indecent Frink
Unsaleable Art: Rental galleries in Tokyo
The Spaces Between: Korean art in Japan
Cultural Orientations: Art from the Netherlands and Indonesia
ESSAYS
Harvest Moon: The Ssack exhibition at the Sonje Museum
Alternative Spaces and Radical Pleasures: Department store art
Everyday Sightings: An interview with Wang Youshen
Imagining Reality: Contemporary Chinese Photography
Letting Go: The artist as chef – Rirkrit Tiravanija
Cyber Chic: The artist as model – Moriko Mori
On Not Being Japanese: The sculpted jewellery of Catherine Truman
Totally Wired: Jacqueline Fraser’s poetics of space
Performing Bodies: Singaporean artist Amanda Heng
Between the Pot and the Sword: The art of NN Rimzon
Songspace: The art of Nilima Sheikh
ART DIRECTORY
Gallery and Museum Guide: A comprehensive guide to the best Asian and Pacific art galleries and institutions
REVIEWS
Shao Yi Yang on Su Xinping
Alice Yang on Ping Chong
Gayatri Sinha on “A Tree in My Life”