ArtAsiaPacific: Vol3 No4

Editorial BY Hannah Fink

Bombay Report: A hectic season BY Kamala Kapoor

Modernity and Beyond: The inaugural exhibition at the Singapore Art Museum BY Emmanuel Torres

Jump Start Art: “A Century of Art in Singapore” exhibition BY Lee Weng Choy

Channels and Confluences: A new book on the history of Singaporean art BY Laura Fan

Amidst Seas and Skies: Casino art in New Zealand BY William McAloon

Copyrites: Irreproducing Aboriginal Art BY Henrietta Fourmile

Psychic Decolonisation: Hong Kong artist Luis Chan in retrospect BY David Clarke

Cultural Crossfire: The curatorial travels of Apinan Poshyananda BY Timothy Morrell

Gesture, Performance, Behaviour, Attitude: Asian influences on contemporary western art BY Kim Levin

Between the Cracks: Art and method in Southeast Asia BY Julie Ewington

Flim-Flam and Fabrication: An interview with Korean artist Choi Jeong-hwa BY James B. Lee

Taxi Art in Thailand: Navin Rawanchaikul’s social research BY Anne Kirker

Dung Heap: Sensuality and violence in the art of Sheela Gowda BY Victoria Lynn

The Knots are Many but the Thread is One: Mrinalini Mukherjee’s hemp sculpture BY Deepak Ananth

The Burden of Javanese Exotica: The traditional aesthetic of Nindityo Adipurnomo BY Enin Suprianto

Exhibition Report: “Traditions/Tensions” at the Asia Society, New York

Gallery and Museum Guide: A comprehensive guide to the best Asian and Pacific art galleries and institutions

Madoka Moriguichi on Saburo Murakami

Alice Yang on Sowon Kwon

Cornelia Ravenal on Manu Parekh

Natalie King on Kate Beynon

Shen Jiawei and Binghui Huangfu on Luo Zhongli

Laura Fan on Raja Shahriman Raja Aziddin

VOL. 3 NO. 4