Company Products Plaques and Antiquity Office Table Without Chair (2011) gave viewers a further look at the definition of rubbish. A combination of a table, decorations, stationery and plaques, the installation comprises a decent set of office furniture. The plaques, which interestingly show quotes of positive thinking and morality, give a glimpse of the ideology of older generations. Elsewhere, the younger generation’s understanding and connection to the past were examined in Antiquity Core Value and Production (2010), which featured 26 plaques on the wall displaying different corporate product names and their respective core values. The texts are amusing and baffling, with such lines as “Baby Boy Guaranteed” and “Sister Won’t Turn on her Phone.” They speak of a bygone era and questions how the mass’s values and memories were once constructed.

Yeh demonstrated his powerful visual language in a few photographic works. Divinity Trace #2 (2010) reveals a worn-out chair lit dimly inside a shabby, dark room. It appears that both the room and chair carries a lot of past memories of the building and its residents, and their beat-up condition had predicted their environment’s fate of being demolished. The photograph and frame are split into two pieces, with a blade-like cut. Haunting and hard-hitting, this piece suggests a building’s painful farewell to its community. The juxtaposition of Dr. Sun Calligraphy Wooden Relieve (2010) and The World of Da-Tong in Cologne #2 (2012) is compelling. The former work is a display of calligraphy by Sun Yat-sen, the founding father of the Republic of China, depicting Da-Tong (a piece of text from the Confucian canon Book of Rites) in woodcut characters, while the latter is a photograph showing these characters scattered about at a corner of a chic, modern department store. The solemn calligraphy and its decorative transformation poses questions regarding the idea of value.

Yeh brings his A game in the creativity and thoughtfulness of his installations, by producing an open-ended dialogue about history, memory, value and the definition of an art space. At the same time, one also hopes to see more of his reflectiveness in his other photographic works.