At the time of writing this article, I was in Taiwan and fond memories of my artist friend, Chen Shun-Chu, had resurfaced. 

To be honest, I am always reluctant to read any article with the word “identity” in its title, let alone a magazine featuring the theme.

In my multiple conversations with Hsu Chia-Wei about his film-based practice, the artist elaborated at length on the political histories of Asia. 

At the time when global art was first taking root, Nalini Malani was fast gaining visibility among curators both at home and throughout Asia.

Chills ran down my spine as I peered into the vitrine positioned toward the end of the late Tang Chang’s solo exhibition at the Smart Museum of Art, so beautifully and adeptly curated by Orianna Cacchione.