Photography is often described as a passive media—a recording of things that happen before the lens.
In 2020, Tyler, a popular Mumbai-based street artist,
asked Instagram users to call out public figures guilty
of spreading propaganda.
The Siege of Lanka (c. 1725), a series of miniature paintings by 18th-century artist Manaku, illustrates scenes from the epic Ramayana.
When I spoke to Pakistani-Australian artist Abdullah M. I. Syed in February, he had just finished two weeks of hotel quarantine in Sydney, having returned to Australia after nine months in Karachi.
The germ of Caitlin Franzmann’s exhibition at the Institute of Modern Art (IMA), “to the curve of you,” came to the artist during her daily walks along a local creek.
Visitors to Luke Ching’s solo exhibition at Para Site were immediately confronted with an unusual demand.
The journey to Zhang Xu Zhan’s studio is like a retreat from the urban jungle of skyscrapers, motorbikes, and non-stop traffic in Taipei City.