The editors have anticipated ArtAsiaPacific’s 100th issue for more than a year.
Roughly more than a decade has passed since I first encountered the work of British painter Francis Bacon (1909–1992).
Twenty years ago, during the mid-1990s, I was committed to building an artistic career.
In the 2012 crime film The Thieves Jung-Jae Lee plays Popie, the leader of a gang of professional crooks who operate in Korea, Hong Kong and Macau, targeting private collections of trophy art and priceless jewels.
Across one hundred issues, contributors to ArtAsiaPacific have used many thousands of unique words. Some of them have repeated with unusual frequency; others appear only in specific instances.
Far away from the cosmopolitan metropolis, in the serene landscape of a Danish fjord, artworks by 12 artists from across the globe were gathered in critical dialogue over the state of society today.
Far away from the cosmopolitan metropolis, in the serene landscape of a Danish fjord, artworks by 12 artists from across the globe were gathered in critical dialogue over the state of society today.
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