The world is in flux. In Buddhist terms, Saṃsāra, “continuous flow.” Ever since ArtAsiaPacific was established in 1993, the editors have endeavored to promote and embrace change—the new and unfamiliar—while also respecting and honoring tradition. In this spirit, we are delighted to announce that AAP is moving to Hong Kong and will be open for business in our new offices on September 1.
They say Istanbul is on a roll. The roster of private and corporate-funded cultural institutions, artist-residency programs and independent artist initiatives is expanding at a previously unseen rate.
Coins may be “the readymades of antiquity,” but conceptual artist Ryan Gander offers us one from a quarter-century into the future.
New York-based artist Alexandre Singh works in collage, performance and installation. As a storyteller and mythmaker, his narratives challenge historical systems of understanding with both spontaneity and humor.
Don’t write off the entire post-80s generation as politically detached and solipsistic—young artists are more connected to one another and to their predecessors than most realize.
Nestled within Dubai’s trendy industrial warehouse arts district al-Quoz, American mixed-media artist James Clar’s studio space, which he calls “Satellite,” is a few steps away from some of the Emirates’ newest and largest commercial galleries.
These articles are only available to our print subscribers.
SUBSCRIBE NOW to receive ArtAsiaPacific’s print editions, including the current issue, for only USD 85
a year or USD 160 for two years.
OR, access them now by purchasing articles
on our Digital Library.